Explain details about word processing.

Explain details about word processing. Q.N. 1 a. Explain Details about Word Processing. Answer: Word Processing is the essential tools for creation of documents. There are various type of computer program that process on words available in market, but most popular application is Microsoft Word. Microsoft Words ease of use has made World one of the most widely used word processing application currently on the market since it allows for compatibility across multiple computers as well as collaborative feature. Word is fairly simple program to use for completing simple tasks. Let us consider an office scene. Many letters are typed in the office. The officer dictates a letter. The typist first types a draft copy of the letter. The officer goes through it to check mistakes regarding spelling errors, missing words, etc. and suggests corrections. The typist changes the letter as suggested by the officer. This is a simple example of word processing. Not only that, Word processing also refers to editing the document, creating the document and printing the document. The document is the combination of letters, sentence, symbol, graphs, chart and pictures. If we, creates such type of document using computer application then it is called word processing. There are various types of computer programs that manipulate word and pictures, but most popular word processing is Microsoft Word. Notepad, Word Pad is also types of word Processing but while comparing the facility that provides to work on document, Microsoft word is best word processor in now a day. Not only that, there are many software packages to do the job of word processing. Some of them work in DOS environment. Examples are WordStar, Word Perfect and Professional Write. But in these days working in WINDOWS is becoming more and more popular. So let us consider software for word processing which works in WINDOWS. Our choice is MSWORD because it is the most popular software in these days. Opening Word processing MS-WORD To run word on our computer: we have to go on â€Å"Start Button† >> â€Å" Programs†>> â€Å"Microsoft Office† >> â€Å"Microsoft Office Word 2003†. If there is an icon of the MS-WORD available on our desktop, we can open up the program by double clicking it, as well. Making New Document. When we open new word, then a new document is automatically opened, which is ready for making the new document. If not, then we can begin a new blank document in a variety of ways. Firstly, we have to fine the â€Å" New Blank Document† icon, which looks like a blank sheet of paper, located under the menu bar in MS-Word in what is called the â€Å" Standard Toolbar†. Click on that icon and we found new document. Opening a Document. To open to edit, view or print document, we must first open up that file in word sheet. We can open a file by clicking on the â€Å"Open† folder icon located in the standard toolbar, or simply pre CTRL+O. Saving Document. When we are working in any sort of media in any software, we should first save our work in some devices. In MS-WORD, there are various option for saving documents in a variety of file types. To Save a new, or editing file or unsaved document, we can click Save icon, shaped like a disk located on standard toolbar. Or simply we press CTRL+S. Then a dialogue box will appear, offering us for file name, location of the file, file type and others option. There are various things about word processing, but most of the common things are described above.

How Has the Personification of India and the Indian Woman Been Reflected in the Various Paintings of Mother India? Essay

â€Å"I am India. The Indian nation is my body. Kanyakumari is my foot and the Himalayas my head. The Ganges flows from my thighs. My left leg is the Coromandal Coast, my right is the Coast of Malabar. I am this entire land. East and West are my arms. How wondrous is my form! When I walk I sense all India moves with me. When I speak, India speaks with me. I am India. I am Truth, I am God, I am Beauty.† These lines, written below the Hindu right wing organization Rashtriya Swayamsevak Sangh’s poster of â€Å"Bharat Mata†, shows how the anthropomorphic form of the nation as well as India’s cartographic form coalesce together into one single entity in the form of art. And with this paper, I will attempt to do an analysis on how India as well as the Indian Woman has been personified in the form of various paintings of the Bharat Mata in India. In 1905, Abanindranath Tagore painted the above iconic image of Mother India. Clad in a saffron sari, resembling a Sadhvi, the imagery of Mother India over here depicts that of a holy woman radiating peace and calm. On observing the painting carefully, one notices the celestial nimbus behind her head, the lotus pond next to which she is standing, and the four arms each carrying an item of symbolic significance. A manuscript, a sheaf of foliage, rosary beads and a piece of fabric – I personify her here as a goddess. She emits grace, serenity on her face, conferring boons; she is the epitome of the Goddesses Sita, Savitri, Saraswati and Lakshmi. On analyzing Nargis’ role of Radha in the film Mother India, one can see that the ideals that Radha entered her marriage can be mirrored in Abanindranath Tagore’s painting. Sita, being the embodiment of purity, Savitri, exemplarily devoted wife, and Lakshmi, the goddess of wealth and good fortune (brides are customarily likened to Lakshmi and to whom Sukhilal explicitly, and somewhat ironically, likens Radha). In the beginning of the film, we see a timid Radha, entering her marriage with the ideals of being a perfect wife, devoting herself to her husband, exhibiting loyalty and chastity. These basic ideals don’t change throughout the film. We see her sacrificing her food for her husband and children; we see her maintaining her chastity even though she could have foregone the debt by having sexual relations with Sukhilal. As personified by the image as well, she maintains this image of being a â€Å"pure† woman, displaying devotion to her homeland and abstemiousness towards her marriage. As Sister Nivedita aptly puts it, what Tagore sees in Her is made clear to all of us. â€Å"Spirit of the motherland, giver of all good, yet eternally virgin†¦. The misty lotuses and the white light set Her apart from the common world, as much as the four arms, and Her infinite love. And yet in every detail, of â€Å"Shankha† bracelet, and close veiling garment, of bare feet, and open, sincere expression, is she not after all, our very own, heart of our heart, at once mother and daughter of the Indian land, even as to the Rishis of old was Ushabala , in her Indian girlhood, daughter of the dawn?† During the independence period, there was a drastic change in the imagery of Mother India. From the pre-independence view of Bharat Mata as a serene, holy woman radiating peace and calm, the images that soon followed were that of strength, anger, wit, and innovation. Images of Gandhi being held by Mother India, Mother India surrounded by freedom fighters, Subhash Chandra Bose cutting off his head and offering it to the Mother on a platter. Even though the visuals managed to captivate the audience, it wasn’t about the art form represented – but the message. On looking at the first image presented here, on the RSS poster, one can see how the personification of Mother India changed immensely from the passive figure that she once was. We see a woman occupying the map of the nation, giving the nation as body a very tangible female form. We have here an image which takes its meanings from a wide range of cultural signifiers: the smiling face of the goddess standing in front of her lion, looking directly into the gaze of onlookers. This particular image, very famous throughout the country, continues to look at people from posters and calendars everywhere. Aggressive and self-assured, she no longer resembles the way Abanindranath Tagore represented her. The title Mother India immediately situates the film within the discourse of the Freedom Movement, and the film is seen to be as much about nationhood as womanhood. In the painting, I view the Bharat Mata depicted as a symbol of female empowerment – the confidence in her eyes, the lion besides her. Radha, in the film Mother India is symbolized in the same way. She is confronted by the choice to either display loyalty towards her land or let her motherly love overpower it. But she chooses her land and goes against her familial instincts to fight for it. The transition from the painting by Abanindranath Tagore’s Bharat Mata to the poster by the RSS can be seen as a vision of a new Utopia that integrates features from both societies. The traditional society, fundamentally morally sound. A woman, whose integrity never left her side. Yet this society (in our analogy, India) was vulnerable to the vagaries of nature (the west). Mother India became a symbol of empowerment. Rema ining strong to her ethics, she opened herself up to modernity, letting herself become influenced by the west. As mentioned by Rosie Thomas, â€Å"Power in the new society is generated by control of both: oppression is ousted and the hazards of nature overcome with modern technology, but the purity of traditional values — symbolized by female chastity — must still bless, and ultimately legitimize, technological advance.† And Mother India did open the dam. As depicted by the RSS poster, India transitioned from a traditional Mother to that of a symbol of woman’s strength. The final painting that I will attempt to analyze is M.F. Hussain’s Bharat Mata. A nude woman, depicted in red, spread over the soil of this country with a man observing her and the various city names strewn in the background. Unlike the previous two paintings, which depict serenity and empowerment, this depicts oppression. And probably, the one painting that captures the essence of being a woman in India – male dominance in a society where a woman has no voice, this is what the painting speaks to me. Taking references from the film Mother India, at the beginning of the film she is forced into marriage without voicing her own opinion. Her head is covered by a shroud, eyes looking down – a sad and subdued figure. She listens to her Mother-in-law without a peep, submits to her husband. When there are references to Radha and her husband being parents of sons, she just smiles. And even after the loss of her youngest child, a daughter, hardly any emphasis is given on the emotions of the situation. The woman is also viewed as an object of sexual desire, apparent when Sukhilal makes sexual advances towards her. This shifts our focus to the objectification of a woman in Indian Society. Objectification is known to be those portrayals of women in ways and contexts which suggest that women are objects to be looked at, ogled, even touched, or used. From ancient scriptures, a revolted Sita (from the epic Ramayana) to a modern day Delhi gang rape victim, there are countless examples of how women are commoditized. Even in Bollywood, nowadays rather than celebrating a women’s sensuality, they are portrayed as an object or a toy of the Hero’s antics or to celebrate his success or his dreams. Or as a product that has been marketed by the catchy medium called media. Taking instances from the Hindu epics, in the story of Parashuram, his mother, Renuka, exper iences a momentary desire for another man. For this crime of ‘thought’, her own son beheads her on the orders of her husband, Jamadagni. She eventually comes to be associated with the goddess Yellamma, who is associated with prostitution. In the story of Ram, Sita’s abduction by Ravan so taints her reputation, and makes her the subject of such gossip, that Ram eventually abandons her. In neither story is the woman actually assaulted. It does not matter. In Devdutt Pattanaik’s words, the idea of being violated is terrible enough. The idea that what is yours has claimed another in ‘thought’ (Renuka’s story) or has been claimed by another in ‘thought’ (Sita’s story) is enough to deflate honor. The personification of the Nation and the Indian Woman represented in Abanindranath Tagore, the RSS poster and M.F. Hussain’s paintings gives us a single window of insight of the various perceptions of the same. Sacredness, empowerment and oppression – three concepts depicted by three unique paintings representing the same ideology. And as it is often quoted, â€Å"A picture is worth a thousand words.† ——————————————– [ 1 ]. The Goddess and the Nation, mapping Mother India – Sumathi Ramaswamy [ 2 ]. Many Avatars of Bharat Mata – BN Goswamy, The Tribune [ 3 ]. Mythology of Mother India – Rosie Thomas [ 4 ]. The Life and Times of Bharat Mata – Sadan Jha, Manushi – issue 142 [ 5 ]. Mythology of Mother India – Rosie Thomas [ 6 ]. Essay, A Woman’s Body – Devdutt Pattanaik

Language Is A Very Magic Thing - 1428 Words

Language is a very magic thing. People use the language to communicate with others, but in the society of 21 century, we cannot only know one language, people should learn other foreign language. The world becomes national now. When you go to other countries and use different language, which will make the people who don’t know the foreign language hard understand. The language is a bridge to connect culture, education and nation. Like America, it isa big country with a mixed culture, so there will have different people with different religion and culture. The best way to have a good communicate and not misunderstand, people should learn their foreigner language. â€Å"For an American, language acquisition is usually the critical handle†¦show more content†¦Language without culture relevance is nearly useless. Yet successful teaching the culture element in our foreign language classes remains elusive.†(G) We can say that the culture is from the language and the language is from the culture. The language is the most important part in the life. If we don’t know the language we will become hard to commute to other people. But if you only know a little of the foreign language, you still cannot know their culture very well. People should learn the language very deep. In the collage is just a big community place with a mixed culture. Many pf students aren’t going to study a language at the collage or a foreign country to study, but having a foreign language also exposes students to the culture. In a collage Spanish class, the Spanish teacher brings a salsa dancer to expose students to that aspect of the culture. Let students not only study from the book.(G) This example show us, that study a foreign language is not only know one more language is also know one country’s culture. The language will show you how does the culture become and how does it use in the language. So I think study a foreign language is very interesting, it can let people become more knowledge. There are more and more people go abroad to study travel and study. Because the world is become more and more international, so people choose to look something out of their country. â€Å" Another reason for the museum to reach out to foreign